Showing posts with label peace. Show all posts
Showing posts with label peace. Show all posts

Thursday, November 25, 2010

rumbling crumbling concluded : heal

"And die of nothing but a rage to live."
From: "Epistle II: To a Lady: Of the Characters of Women" by Alexander Pope

Innocence in its purity is powerful, only when it is aware of itself. Anger is the weapon of the calm. Silence can be the choice of the weak out of the fear of speech. Silence can be the virtue of the strong who would conserve it and use it for the best purpose defined to the self. Silence can be an awareness of where I invest my anger. Each moment  when energy gets wasted in the form of destructive anger, the possibilities of the moment dies. Conserving anger to direct it at the more powerful 'wrongs' can be a healing process. Anger is like fire. If we can direct the flames in the proper manner, it can create beautiful glassware. It also has the power to ravage and destroy, all for nothing that can be valued.


Does this mean, destruction is a non-natural process? Is it something that should never have been? Funnily, I don't think so. Destruction is as natural as construction. Death is as natural as life. Rage is as natural as love. The question is not to to 'decide' and to 'decree' what should be. The question is what you and I choose to do with all the "combustibles" in our lives.


*******
The previous section of the post was written before the previous post  was published. At first I thought of deleting it , or, adding it as a postscript to this post. But then, the responses of Somdatta and Shiuli, made me think otherwise. 
Somdatta's response is worthy to be noted since it perceives anger as a very personal emotion. I am angry when things pertaining to me are not as I had expected them to be. I am angry when the bed is dirty. I am angry when the dishes are not washed. Ask yourself, and you will find a thousand reasons for being angry. Anger IS a very subjective experience. And that is the reason I decided to shift its approach from the literature of Blake to the literature of common lives. I believe strongly, there is magic in each of us. There is magic around us. But all of that is waiting for the magician to surface. All I wish to share with you is my encounter with magicians like that ... What these magicians do, I wasn't doing when I was writing the first post on rumbling crumbling ... I was objectively talking about it, from the armchair of a thinker. And that the reader in this blogger didn't like ... she had made a choice of 'proactive living' a few posts back ... and all that she was hell bent on doing was mincing words! That is when I stopped writing a moment, took a break from thinking about things in abstract terms and started experiencing the magic ...  and here I share with you some of those ...

Magic of dance...

A beautiful woman, in her middle ages, at the peak of her performative years in dance realises she has cancer. She breaks down. She is afraid. That is the nature of her anger- her fear that she is actually walking towards the end. And then she chooses. She chooses to dance like 'magic'. She believes her dance IS magic ... and here she is  ... not a survivor of cancer ... in her own words ... "a cancer conqueror" ... She is Ananda Shankar Jayant ...
Listen to her story here.

Magic of courage...

As a teenager she was gang-raped by eight men.  From that episode of her life,  she remembers the "anger part of it". She was, is and continues to fight the outrageous dissociation that we attest to survivors of rape victims. She didn't sulk and let that single chapter of her life take over her entire life. she did not end her life in despair. Instead, she fights the odds with that anger that is still oozing out of her ostracised self. She doesn't believe the merit of a woman is her meekness. She believes the merit of her pain is her anger. And she helps directing that anger in all such survivors and yes ... i will say conquerors of societal stigmatisation ... by channelling their anger in performing tasks of heavy physical labour in industries which categorically ward women off by virtue of being women. She is Dr. Sunitha Krishnan.
Listen to her story here.

Magic I touched   

A beauty with a smile. Back at home she was fighting the world for her angel, who is very special. And yet, every time I met her, every day I met her, she was smiling that angelic mesmerising smile. She still does. Her skin shows signs of the waves that lashed out at her. It may have eroded the glow of the skin, but her eyes are still bright and her smile still warm. She is the only magician in this list whom I saw ... who touched my life with a magic spell ... The power of her magic is so strong ... that all who have been touched by her, will know her, when he/she reads this ... Her story we carry in our hearts ... her story is that of life ...


*******


Blake's world of creation is that world of magic, where the magic is not in any pockets of existence. It is everywhere - from the mild green meadows of the lamb to the pitch black forests of the tiger - magic is everywhere, only in the need to be harnessed. When our professors said, the poems 'the Lamb' and 'The Tyger' are about the creator instead of the creation, all that the academic mind saw was the answer to an academic question where one has to take pains to tell how the One who created the lamb can create a tiger. Now, when the degrees are at a distance, the academic shroud is shed. And with unclouded eyes, all that this blogger realises is that. Blake's poems are not about a distant unknowable god. It is about the power that lies in each of us. It is about us -about you and me. Yes, we have the playful innocent child in us. Yes, we have the fierce rage of the superman/the tornado/the tiger. All that we need to do is CHOOSE. We can choose to let that rage run over all that is good in us. We can choose to let that rage consume us in a split second of cosmic time. We can choose to use that rage to nurture all that is playful and creative in us. We can choose to be the magic.


the road's within ...


The choice is essentially ours. I made one today as I write this post. Did you?




Concluded

Image Courtesy: Macwallpapers @ web

Wednesday, October 20, 2010

Puja Chronicles contd. A Bisarjan on Dashami

Pre-script - definition of Bisarjan according to Samsad Bengali-English dictionary is "immersion of the image of a deity"
 
Every year the idol is carried down the broken stairs with inappropriately dazzling neon lights pouncing down them. There is a crowd of faces that can't decide whether they should express the grief at the end of the carnival or the chilling fear of losing someone. The idol of the mother goddess in the avatar of Jagaddhatri ,meaning the One who bears the world (a festival similar to Durga Puja, most grandiosely celebrated in  Chandannagore, a town near Kolkata) has been the centre of all the joy and laughter for the past few days. She is the reason we got to meet our friends and family, whom we haven't met for over a year. The end of the festivities means an empty dalan (a broad space within the house), with a singular lamp lighted in front of the empty dais on which the idol was placed. The end of festivities means a strange emptiness amidst the pedestrian duties in the household. The end of festivities means the chilling knowledge that the one who will be holding the idol from behind, just before the idol is given bhasan (immersion of the idol in a water body),  is most dangerously placed.

*****
The idols are usually given bhasan with their faces looking skywards. They are not slumped into the water face down. The individual standing behind the idol can't be seen by the other fellow bearers of the idol. There is a dangerous possibility that the idol will fall on him, resulting in his drowning.
*****
The laughter of the last few days, or, even of the last few moments - when everyone was travelling in a hood-less vehicle with the idol from home to the ghats (stairway leading to the river), sounds of the voices singing and of the conch-shells, interspersed with the occasional frenzied cries of "Aschhe bochor abar hobe!" (We will have this fun again in the next year!) - now transforms into panic-stricken shouts rising above the beats of the dhak (a drum-like instrument used during the pujas in India). They are cautioning the individuals carrying the idol - 'Watch out that step! It's broken!' ; 'Don't stand behind the idol directly!'; 'Be careful!' All such panicky cries would be subsided by a few calm voices. One of them was his. 'Don't worry, I am there.'

*****
Dashami is the last day of celebration held in honour of any of the deities in Hindu mythology. The immersion of the deity is accompanied by the distribution and exchange of sweets. Why would one think of celebrating the end of a festival? Why would one have sweets after immersing the deity into the oblivion of the water world? Possibly because the act of bhasan means the continuing cycle of creation, procreation and destruction. Like the trinity espoused by hindu myths - Brahma (the Creator god),  Vishnu (the Protector god) and Maheshwar or Shiva (the Destroyer god). The bisarjan (i would translate this not merely as immersion, but as 'bidding adieu') is also a part of the festival; just as death is a part of life. Whether we want it or not, humans will be born and they will die. All that remains is the essence of the life that an individual leaves behind. 
*****
Dashami of the Debipokkho had always been a little saddening. It meant the end of no-studies schedules while I was a student. It meant that all the gorgeous dresses will now be packed away. It meant that all the freedom of living off the street food is lost. It meant the end of incessant parties and doing nothing all day long. This year too, Dashami has saddened my heart and my soul. The voice that said 'Don't worry' has received bisarjan from all its worldly noise. Long after his song has ceased, souls like mine, which heard and saw him weave those brilliant patterns in life, will echo his songs. Who he is you may not know. But what he is,  you will fathom if you think about an individual who inspires you, whom you love, who makes you smile and who encourages creation in any form. Imagine an artist you love. You will know. Imagine an individual you love. And you will know. 

RIP C_K_.

Image Courtesy © Subhaneil Chakrabarty
     

Wednesday, June 30, 2010

The last and lasting glance


Across the strange borders, 
I see myself blooming:
in forgotten pathways,
in manicured gardens,
in bonsai artefacts,
in frozen mummies.

My eye sees the horizon...
a few dotted lines
-lines in pink, blue and green-
cast the slippery wet norms.

The me in the mirror is refracted.
They tell me, it's you.

I spread my hands
and follow my master,
floating in the air,
above the anomalies of the self:

as I float by your universe,
memoirs of the road
sting my feet
...
I was so sure
I touched me in you

photograph: Himalayas, Uttarakhand, India; self

Thursday, May 6, 2010

Nandini ...



There are faces
that shine in the moon,

translucent in peace
with stars on their lips
and flights in their eyes

Some dreams
trickle down

the palm of the soil...

and bring the gurgles near
tumbling over
the conch shell's sphere ...

As honour sheds its darkness
and lust spreads its doom,
As hope springs in flowers

and boats in rainy streams
cross the oceans of silence:
the little beam of soul

steer us back to the moon

... the translucent robes of peace
with tenderness in eyes
a silent hymn they sing ...

can you hear the song?
can you feel it clear?

Image:
Photo of The Divine Comedy - Paradise
Canto 8 The Highest Beauty of Beatrice
by Salvador Dali
Wood-cut 1960

Monday, February 15, 2010

Amen


He was jovial. His sister had just begun college and was selected in the present edition of Roadies (an MTv show). This other girl was a colleague of the guy and they were in Pune to spend the weekend with the sister. My brother said, he used to frequent it while he was posted in Pune. And I think, this is possibly the closest I have been to terror. Or, maybe not.



Last Saturday's bomb blast in Pune brought back memories of the earlier blasts in Mumbai. My then would-be-husband used to travel in the same train route in which the serial blasts took place. My sis, who was working in Mumbai, was untraceable for a few hours. I had felt a numbing sensation in my legs as I finally got to talk to my sis. My hands were trembling and my voice quivered. I wanted to say a whole lot of pacifying words to my little sis in a city ripped apart by blasts, but the only thing I did was cry. We cried together across a hundred/thousand miles. I cried out of a terror-stricken soul who wanted to hold all the dear ones close. I guess, saying goodbyes are always tough. Thinking about having to say the same is tougher.



Last Saturday when I first came to know about the blasts, the television visuals of the injured lying in blood-soaked clothes initiated a very disparate stream of images in my mind. I thought, was it a dimly lit bakery? May be. There may be woodden tables which had scratches made by restless people talking about the passing of another busy week. The chairs may have squeaked each time a customer took his seat. In another Saturday weekend, my brother may have been sitting at the same place where this young boy, his sister and his friend sat. I didn't feel terror. I was numb within.



Wisdom honours a single truth: The future does not live out of blueprints. But may be, we need a blueprint to save the human race. Or else, even before the global warming endangers mankind, man will not leave any stone unturned to be the cause of his own extinction. Amen.