Learning to breathe - part 4: What life usually has in store is experience

Sometimes when you get tensed, do you feel you can't breathe? Here is someone who does  feel like that sometimes. She imagines the blood rushing through the veins and flowing into the brain, instead of the heart. And then dizziness sets in. Well, it was until she figured it out that all that she needs to do in such circumstances is breathe in and breathe out. Breathe in and breathe out. And, the heaviness passes, giving way to something that is a brilliant concoction of calm, confidence, excitement and inspiration (Share with me one word for this if you know. truly) .

Well, that is pretty much the thing that happened when the Lustrous Lives blogger found that a blog branch-out of Brit Writers, The Unofficial Blog of Brit Writers and Writers Everywhere! is looking for writers at all spaces and all places. The first thing she felt was exhilaration. The next was dizziness.

When she had breathed in and out, she managed to write and edit and send in her first blogpost for this amazing blog. Click here to read her first blogpost in The Unofficial Blog for Brit Writers and Writers Everywhere!.

She is breathing in and out, right now, as you read the concluding sentences of this post. because she is going to send her second blogpost in to the unofficial Brit Writers supported blog. Ew!

Learning to breathe - part 2: Are transformations wishing wells?

So who's your Chris Powell?

The habit of watching real people living through ups and down die hard. The viewer-writer is always looking for more and more stories to inspire, to tell, to refashion into a poem or a non-fiction piece. Sometimes the lives of these real people whom she watches only from a great distance in time and/or place finds a seat in the corridor of characters she assembles for her novel that she will write someday. Either way, she can’t stop being a voyeur to life.

A character in a medical drama on a television channel once said that people watch reality shows in order to escape from them. That is but only one side of the coin. There are couch potatoes and then there are potatoes who want to be French fries. Okay, that was a really bad metaphor, but do you not agree that life is like a coin with two sides and the connecting joint that has no name?

Most of us flip that coin around all the while, unable to hold onto any particular face of it. Most of our lives are like the edge of the coin- connecting the heads and the tails and existing without an identity. What happens when we actually, I mean, really, really, truly recognize this fallacy of our lives? Either, we choose to live on in this in-between-ness with a sense of never even wanting to achieve either the heads or the tails of it. Or.

Or, we choose to push ourselves across the boundaries of this in-between-ness and into the domains of the extremes of either head or tails which in turn calls for an intense overturning of what we know of our existence. Ah! That sounds like the material of fictional protagonists!

The difference between the fictional protagonists that we usually encounter in films and novels and short stories, and us plebians, is that, they usually achieve a successful transformation, and the story ends there. We, on the sadder hand, always remain tangled; or rather, mostly remain confused and tangled in the matrix that is the process of transformation. So, what should plebians do? Here's a shortlist of choices:

1. Never venture into the extremes that create confusion and tanglement.
2. Forever venture into the extremes that create confusion and tanglement.
3. Think for ever and ever about what to do and hence remain indecisive forever.
4. Live a thriving life filled with ecstasy and injuries, choosing the opportunities of purposeful living over the ever-present fact of life being a wipe-out show of sorts. (another show I sometimes indulge myself with)

Chris Powell in the reality television show "Extreme Makeover: Weight Loss Edition" urges his clients to choose option 'd'. They appear on the show with unbelievable amount of excess weight. During the course of 365 days, the client is shown to achieve a goal to lose whopping amount of fat from the body. Now, these are usually people who instead of dealing with some kind of personal issue, had chosen to not care about themselves and participate in binge eating. And then, this guy who introduces himself as the one specialising in transformations, appears. 

This guy, Chris Powell, takes them on a journey of realising and facing some of their well-hidden emotions. Does this show have a fairy tale ending? It does and it does not. Some of these people do fail to keep up the motivation and falls back to old habits of binge eating and/or not caring about themselves when things get out of hand. You know old habits die hard. While some keep trying. They slip off their mark. They get up and they keep trying.

What does one do when one has a bad bugging old habit that die hard? What does one do when in spite of that habit one desires to lead a purposeful life, acknowledging the bruises that come along with the joys of life? Think of a rose, and, breathe. Sit up straight wherever you are. Feel your spine stretching down your back. Roll back the shoulder blades. Look up straight from your computer screen and breathe. Inhale 1, 2, 3, 4, 5. Exhale 1, 2, 3, 4, 5. Repeat till you feel profound as a wishing well. 

And then, maybe, write a response to this post? 

After-thought: A., my husband, sounds like Chris Powell when giving me a pep-talk . Hmmm. 

(To be continued) 

When memory ...

This was in the days when you didn't know what the picture would look like until the entire roll of 36 shots was used up and you sent it for development. Uncle joined a photography class, working out his homework of painting a glass, half filled with water, in the evenings, as the niece and the nephew and the daughter scrambled to see what was it that was being done. There would be some interesting words floating in that room - 'perspective' being one of them.

As the course advanced, the three kids followed him around, bewildered at all the machinery and the set up that was now being put up in that little room above the garage. The glass was being covered with black chart paper. There was something sinister in it, the kids thought. Uncle suddenly talked about what was it like when there was a war. To keep the houses drowned in darkness, for the sake of safety, the lights were put off in the evenings, the glass windows were covered with thick black clothes when a lamp was lit. It seemed to be a story to the kids, like the one they read in books.

Years later, the story of the war is suddenly re-lived. The numbers of the dead, of the injured, of the demolished , the heroes and the villains, the sounds of the guns and the bombs - are returning to the consciousness. This time around, there are no popular names, no popular faces, no history text books analysing the primary and the secondary causes of the war. This time around, there are only faces of people who could have been an acquaintance, a friend, a lover, a family.

*****

It all began with Kurosawa's Rhapsody in August. 

The musical name and its soft vowel sounds betray the unease that permeates this film. While their parents visit a newly found relative in America, the kids spend their summer holiday at their grandmother's country-side home. The long lost and the newly identified relative is supposedly one of the grandmother's brothers. The grandmother doesn't remember it however. The kids spend their time speculating how wonderful it would be to go to America.

They attempt to remind their grandmother of her past, so that she would accept the invitation of her 'brother' to visit America, along with her grandchildren. In the process, they unwittingly have a view of a war that is only a story to them. The ripples of the devastating atomic bomb attack on Hiroshima and Nagasaki in August 1945 touch their hearts for the first time in their lives.

In the sun and the rain of their summer holidays, they come to know their grandmother as they have never known before. Her silent ways perplex the kids at first. They do not understand why their grandmother sits, face-to-face with a woman, for a long time without uttering a single word. The silhouette of the two silent old women, with white light flooding in from the background creates an uneasy frame even for the viewer. Later on they come to know that, both the old women had lost their husbands to the atomic bomb.

A distant past, untouched by the children, returns as a newly realised emotion in the now.   

To be contd.

Does Spring spring out of nowhere?

According to the Encyclopedia of Religion and the Encyclopedia Britannica, the timing of April Fool's Day is directly related to the arrival of Spring, when nature 'fools' humans with erratic weather.
 
as if spring arrives on a date that you can mark in your calendar! as if, till the 31st of March, the buds are trained to remain shut and at the dawn of the 1st of April,(amidst the twittering of the birds) they march to full bloom, as kids dressed as flowers would do in a performance as the teacher animated the movements from the side-screen! 

Spring doesn't really sprint into our lives, does it? 

In hot and humid Kolkata, spring makes it presence felt through the soft winds blowing through the thickly populated city. It is in the air that you can smell the arrival of spring. In such times, our neigbour's mango tree brings in the smell of the juicy mangoes that will populate its branches a few weeks from now. The 'mukul' (the flower which will become mangoes) have a tantalising smell. 

mangoes-to-be ... 'mukul'

The kids passing through the lane look up with expectant eyes. The mango tree's human neigbours looked at it with longing. Maybe one summer storm called 'Kalbaisakhi' (since the storm usually happens in the Bengali month of Baishakh, it has gained this name - the black storm of Baishakh) will make several seed-flowers to fall (unfulfilled mangoes ... sigh!). The owners of the mango tree, their neighbours and all the people passing the lane would mourn for the untimely loss. Spring is also such cruel times.

flowers that bloom from the soggy earth

In countries which suffer devoid-of-the-sun winters, spring arrives with sogginess. As the snow thaws, (and doesn't return anymore, thankfully), the soil becomes soggy - wet and dirty as mud. The few green stems and leaves that had been covered with snow all this while looks maligned. They lie in a wet heap. And then, suddenly, you see flowers blooming out of nowhere. 

flowers that bloom in light

The flowers appear because of the increase in light. Or, it seems that the soil, that was suffocated with snow for so long, feels relieved as the weight of the snow melts into life-sustaining water. If you look at the muddy, soggy soil for long, you can have the feeling that the soil is quenching its thirst, soaking in the pleasure of being able to breathe freely once again. 

so, is it spring now?

May be, the true arrival of spring happens as the new green shoots appear, the new leaves curled in sleep appear on the branches that have been starkly empty for long. 

up above in its

The birds too have returned to inspect the branches that can be used for making nests. They hop around the trees and shrubs, identifying the perfect branch, swiftly breaking it in its beak and flying off to where it plans to have its nest. 

Perhaps, the vitality of all things natural is the actual harbinger of spring. 


With not much ado, Lustrous Lives too seeks vitality ... in words and patterns. Hence the new look. 
Please do stop by to share your opinion on the same. Please share your opinion on whether the posts are reader-friendly in appearance, or not. All opinions (both favourable and unfavourable) are heartily welcome.

Wish you all a vitality of the mind, the body and the soul this spring :) 

Images: "mangoes-to-be ... 'mukul'" by my uncle Subhendu, a few years back. Copyright retained by him. The rest of the images are shot here and there in Lund by the blogger. spring 2011.


 

On why all things change and yet none do

There is nothing that is the absolute truth in this temporal world of ours. When you and I hold a day old baby in our arms, and touch its soft, smooth skin, you and I are in the here, in the now. You and I do not think of the bruises and the wrinkles that time will bring upon it, though time will, in its own sweet pace. The truth of the child is in the now. No other truth exists at this point. 

Often we meet people, in social gatherings and in mirrors, who feel their lives are a lost cause. They think their dreams are too late to be awake. Sixteen, twenty, forty years have passed since they had this dream. It is not sympathy when you and I say, under our breaths, that we know how they feel. We really do, because you and I have felt like this, at some point.

You and I may have walked through those stormy zones of the mind. You and I may have been drenched and left dripping like a crow in the storm. You and I really know the weight of wet straw and the eventual loss of it. One of us may have picked up fresh, dry straws and stuffed the scarecrows with them, creating them anew. The possibility of another rain and another storm washing it away didn't stay longer than a breath in the mind. It is at this point in our lives, you and I were there and then. You and I were in the here and the now. 

Life rarely lives up to the blueprints we create at the beginning of our lives. At the beginning, you and I were childish, full of dreams, full of confidence that all those seemingly absurd dreams could be made true. As we walk down the road, the blueprint doesn't seem to match the route. You and I still hold on to it, for some time more. We still have some hope left in our youths. We take a few risks here and there, make a few abrupt jump cuts. For one, maybe, the blueprint now seems visible in the road that lies ahead. For the other, the blueprint seems to be a distant truth, as distant as the truth that years ago, the mature body was a lump floating in amniotic fluid. The blueprint ends up in the dustbin by the road if we can retain our composure. If we are struck by rage, the roads are strewn with bits and pieces of something that you and I once called a dream that we believed in. 

As the pebbles and the boulders seem to lie right at the place where you and I intend to place our singular foot, we laugh at the childishness of those dreams. You and I share the joke all along the way. Our laugh thunders through the journey, maybe. And yet, something within feels like the empty place left by the oil drilled out from the earth's core. A collapsing empty space, away from the eyes. You and I are nowhere. We are not in the here, we are not in the now. 

Are our blueprints of dreams truly an outcome of a child's play? What about the potential you and I felt as we tapped our earths? Was it a dream, a fantasy of the child who can create universes out of nothing? But, was life not born from nothing that can be tangibly called 'living'? Our dreams, dreams that you and I nourished, can not simply be a passing toy! Even as you and I tear it apart, from our bodies, they stick to our souls. You and I can't find anything to loosen the adhesive.

Dreams are relative as is the truth about them. They transform as caterpillars do to butterflies or tadpoles to frogs. Yet, they retain the quality of dreams - that which can be a truth - may be in a different time; but truth it is nonetheless.

As you and I meet such individuals again, in conversations or in mirrors, let us remember to share this little joke of relative dreaming.


Image/s: Same tree, same time, just with two different application modes. In Lund, Sweden. By self.

Old thoughts. New Series.

In school, the blogger's favourite subjects were anything but compartmental. She loved language and literature - both English and her mother tongue, Bengali. She was thoroughly intrigued by Physics lessons and developed a particular love of mathematics for a short time. She loved studying history but suffered a mind-block when attempting to remember dates of eras and emperors. She belonged to that weird species of school-goers who liked studying. Eeek! Some younger folks (friends of her sister, precisely) were continuously shocked to know, that the blogger's plan was to continue studying, no matter which year she met them after school. The gasp and the horrid look on their faces made her embarrassed. They meant no harm ; all that they wanted was, to hear something different than the word 'study', the blogger guesses! Bless their souls!

In spite of her love of the weird combination of subjects, she knew very clearly that she would choose to study in the Humanities stream, when the time would come. Among all the subjects, literature appealed to her the most, and, she knew she wanted to study literature in English. Bengali literature was an area that she can continuously improve upon at her own sweet time. The reaction of all, except her close classmates and family, was one of disbelief. The humanities stream was considered the least prestigious study stream then. Once, one of the mathematics teacher in the school, (with whom she shared an antagonistic relation because of no reason she can remember now) stopped her in the corridor to ask why she was not joining the Science stream. He refused to believe that it was her personal choice based on her preference for the arts. She further met some folks who were simply disgusted with her choice. She didn't quite understand the reason why the humanities were any less worthy a subject for study than the sciences. She didn't understand either why it was so difficult to desire to learn mathematics along with literature, history and political science. Soon she moved on to another school where she continued her studies with a strange mixture of subjects that everyone, outside the school, found funny: English and Bengali languages and literatures, Nutrition, Computer Science, Mathematics and Economics. 

From then on, English literature, or rather, literature in English, became her specific area of study.  More than a decade has passed since the blogger confronted the anti-humanites-frown.  Unfortunatelym the scenario hasn't changed much. This is the era of technology they say. The arts are for leisure. The sciences are for active living. This compartmentalisation of education has always  appeared to be an unnatural process to the blogger. The blogger has little knowledge yet to advance this opinion by herself. However, in the past few months, the blogger have had the pleasure of reading validated articles, news items, books engaging in this same opinion. And the belief becomes more strong that, in the synthesis of educational subjects, rather than breaking them into small brick houses with tiny windows, lies the natural purpose of education. Education can be the telescope to see space beyond our reach; it can be the room of one's own where many Michaelangelo-s will paint ceaselessly; it can be the philosophy of being blended with the quantum truths of science. 

Addressing this particular urge of the self, to see the link between what the frowning-faces see as opposites, the blogger wishes to begin a new series in this blog devoted to the idea of education and learning. No preachy stuff though :P The blogger wishes to share the insights she is gaining from her reading. Simple. (at least, the blogger will try to keep it simple, that is :P)

a picture of a painting

 Image: a picture of the painting A Man Looking Through a Window by Samuel Van Hoogstraten, displayed at the Kunsthistorisches Museum or, The Museum of Art History in Vienna. by self/ Arijit. 2010.

simply-fly

I signed off with this image in the last post. I tentatively left a rather rhetorical question along :  

What do you see? 

The image is really the memory of the noisy neighbourhood when the roads were being repaired. The usually quiet neighbourhood in this part of Budapest became a crazy chaos. You walk 50 meters to find that the pathway was closed. You turn back retracing your steps, thinking all the while if this loss of a fraction of time would be vital, since the neighbourhood store closes in less than 5 minutes and your refrigerator is empty right now. The continuous sound of the drilling machine in a sultry morning is unbearable at times. I while my time observing the workers and their broad work-space: the entire neighbourhood. And all the others continue their own flights.

This picture was taken on such a day, as a experimental shot using some function in the camera (i forget what). I didn't intend to capture the flight of the bird. As I saw the preview, nothing struck me initially. I saw what I thought I would see : the green makeshift rooms, the dry branches poking out from here and there, a part of the car-parking zone, and that huge yellow truck, blue stripes in its mixing section I guess. And then I saw it - the bird in flight, framed in motion forever! Its eyes are intent. It blends with the wry surroundings because of its colour. And yet, when I looked closely, I saw the perfect spread of its feathers in its tail - the black and white parts spread to look like a half-opened Japanese fan. Its wings were free and yet so aware of itself. It is as if in meditation, aware of all and yet not restless, participating and yet not sucked into the momentum, like a fish in water - always in water and yet, never wet!

With all the commotion in the background, the bird simply flies. As I stumbled upon this image yesterday night, I just had a eureka-ish feeling for the umpteenth time - the picture communicated with the restless kid called the mind. It seemed to say, simply fly, in wind and rain, in sunny days, in grumpy days, in spring and in winter, simply fly. Simplify.

Image: in Budpaest, by self

 

Walking out in the open

This is not really a comeback of sorts. It is a little walk, out in the rain, when the clouds are thundering above the cityscape of regular life. It is like looking up at the sky as the lightning reveals the sombre surroundings. When the thunder claps and the resulting crooked charged line dash across the landscape, it is terrifying, to say the least. And yet, the landscape revealed in that flash - silhouettes of the buildings, of the trees, of the empty vastness of the sky - mesmerises me. Walking through the thunder, at such times, is a dizzy cocktail of fear and of pleasure.

the woman was studying for her upcoming exams in the room at the roof. the 'chilekotha' was her study-space. she retreated here after all her family duties were attended to. this was her zone of thinking, of being. in the floor beneath the room, her child was perhaps cuddling to its pillow, still warm from the mother's touch. perhaps she looked out of the glass window before she settled into her books. perhaps the beauty of the night that was bringing the storm and the thunder excited her. perhaps she saw the madness of the leaves of the coconut tree, roughed up by the wind. perhaps she was lost in her books when the lightning came, across the skies, landing on the top of the coconut tree, and then blazing through her.

thunder

And yet,

the beauty of the charged landscape is thrilling. the wrath of the ancient gods are expressed in such atmosphere in myths. the potency of change lies in this unstable moment. the firmly grounded tree can be uprooted. the dry pool will be filled with the rains that come along the thunder. it is like watching the dance of Nataraja in all its power. it destroys, true, but it is beautiful nonetheless. it is beautiful since the destruction is never a full stop for this strange species called man, who has created a theory attesting the need to pull down the standard structures at times, a theory called deconstruction. a closer look and surprise! 

need to deconstruct=need to construct anew

is this not the same principle of Nataraja deadly dance - Tandava? I ponder...

Beauty often lies in seeing the possibility beyond and beneath the veneer of real perception. It is in realising the potential of change that the perceived situation holds. Before the change happens, you will never know if its to be feared or to be savoured. Why fear change when that is the only thing that has been constant since recorded time?

I now walk in thunder with the all its potentialities etched in my awareness. I recognise that the unwanted and the unknown can affect life. And, yet, none but I will be living it.

POSTSCRIPT:

In the past two weeks, I waited for the clouds to part in the mind. The more I waited for the sun, the more restless I became. And then, the thought beamed through the mind. The more I wait, the more empty time rushes out from this life. The more I wait, the more my clock ticks. The more I wait, the more moss gathers on this stone on which I have to etch a world of words! 

I nudged the kid out of the bed and showed it the door and it said to me, "Let's go!"      

Before this post ends, I would like to share with you an image I stumbled upon in the pictures folder today...  

... country roads ... away from home ... 

what do you see?

Images:

"thunder": image of the sky just before a torrential rain, Budapest. by self.

"what do you see?": break-offs in the mundane, Budapest. by self.

birds in the snow-wind

The snow is blowing like a wind. You can hear it rise and fall, as if the gushing water of a stream. The beauty of the white creates awe and humility in the mind. Look up. Your sight will catch a bird surfing in the snow. It bends and curves, swoops down and fly up. All in this snow. If you step out of the warmth of the hearth, your nose will freeze, your tongue will be like a spade, itching with a sharp senile sensation. But the birds can fly, even in it. They do it simply. Simple it appears to the eye that sees the wings spread out, a bird in the sky, in its domain you believe. To the eye that sees the bird pecking the dry leaves, looking for food, coming down to the isles of green that emerge in the sun, to that eye the bird is strong. It faces the storm. Maybe because it is its domain. To live in the eye of the storm.

 

birds in the snow

Image: by self, using Paint. 2010.

Missing the mark

In the span of a few months, I have met several wonderful people, across the globe, by virtue of a social networking site. I haven't met them in person. I have known them through images, status updates and the little notes that they scribble in their virtual notebooks. They are an amazing bunch of people. In them I found a discursive space of interaction. With them I have the opportunity to debate and to discuss.  It is as if, I am living a more 'real' life of sustained discussions in this 'virtual' space.

The real world of this virtual space, unsurprisingly, also functions according to the real human dynamics of emotions. The notes, especially, reveal the thoughts that engross the self. The thoughts have no boundaries; and the notes become poetry, prose, fiction, essays, abstract jotting of emotions and all the obscure and the particular that involves us in the real world. And they can be shared with  particular people or with everyone, depending on our choice. This, it seemed to me, is an extremely 'free' mode of communication that the social networking site facilitates.

After several months of intense interaction with such notes of friends, one fine morning, I couldn't trace an individual in the network. His notes have always been an inquisitive mix of information and engagement with knowledge. It is not that all notes, either by him or by others, appeal to me in the same league. Yet, I always live by a principle put to me by a friendly doctor uncle - "Read everything you can lay your hands on. Don't pick and choose. Choose the things that you would like to keep with you after you have finished reading." I emailed Alokeda enquiring if he has deleted his profile for some definite reason and to check if all is well at his end. 

The reply that came challenged my idea of free networking in the virtual social space.

Alokeda, aka Aloke Kumar, wrote back saying that his profile has been "disabled" by the authorities of the networking site since he had expressed his negative opinion of journalists in a note. Possibly after several complaints from people with a different opinion, the networking site had nullified Alokeda's account. My first reaction was to be appalled by the networking site's administration. I wanted to write about this incident. But, each time I read the piece that I had written, I realised I am missing the mark.

*******

While studying Aristotle's Poetics with Prof. Krishna Sen in the University of Calcutta, I was introduced to the Greek concept of hamartia, used prolifically to analyse literary tragedies since Aristotle's era. Interestingly, hamartia  had nothing to do with drama in the Greek world. Etymologically it means, "missing the mark" and is an expression that was used with relation to archery. An archer is said to have hamartia if he misses the target.

Tragic heroes are tragic since they are neither too good, nor too bad. They are neither saints, nor devilish. They bear semblance to the reader-audience of the the tragedies. They lack the balance of  goodness and badness, like the most of us. They err. They achieve. Their characters misses the arithmetic mean that would make them a perfect balanced creature, situated at the middle of the two extremes of absolute goodness and absolute evil. Shakespeare's Hamlet is too much thoughtful; he would do good with some rashness of Macbeth and vice versa. But what should be, never is. And hence they are tragedies, not fairy tales.

*******

This interpolation of the idea of hamartia is necessary to the context of the nullified profile of Alokeda. Though my initial grudge was directed at the networking site that succumbs to such un-democratic approach, I did not know why, but I was constantly reminded of a dialogue from the 2007 film, El Greco, directed by Yannis Smaragdis. While El Greco was working in the workshop of Titian, the master painter Titian gave a brief piece of advice to El Greco. He said, "Never show them everything." The truth, if shown, is unpardonable. By "them", Titian was referring to the human ego that wants to know everything but does not have the power of humility to accept opinions opposed to those that are already framed in the mind.

When Alokeda expressed his negative opinion about journalists, I understand that those holding a positive opinion on the same issue begged to differ. It is only a natural expression - a universal possibility of difference. Differences of opinion is what provokes progress. The human need to be assertive, by itself, is a necessary component in creating 'new' ideas and things. It is not an evil in itself. But when assertiveness is expressed by forcing silence, then we see a 'missing the mark' syndrome. The target should have been creating a zone of interaction where reasoning and debate in a rational manner would be the means of functioning. Instead, it became a zone of combat, aiming at the nullification of the opposing view. 

But does complaining against the different opinion of Aloke Kumar, leading to the disabling of his profile, make the pro-journalism view predominant? The question whether silencing the challenging voice is good has always been there. And, probably, it is rhetorical question that should be directed at ourselves rather than at each other.

The absence of Alokeda from this interesting networking site is a constant reminder of the limitation of replicating the existent systems of the real world in the virtual space. Thankfully the virtual space is ever-expanding and hence Alokeda's interesting 'notes' continue to exist in another domain of social networking. Silence is but a temporary agenda that the humankind attests to. Limitation is but a challenge to continue questioning the accepted idioms of expression. Had there been no questions, the human history would have stalled. Succumbing to the fear of change is a weakness that mankind needs to challenge. Or else, we will forever be frozen in flight, rather than be able to feel the freedom of flight.

frozen in flight, or flight of freedom?

Image of the statue of the legendary Turul bird at top of the rails of the Buda castle and a living bird in flight, Budapest, July 2010. By self.      

A view from last winter

On such seasons when the leafless branches allow for the lucid view of the horizon, all that you can see is the sky. A little ball of fire, thrown from behind the mason's monsters, climbing the cloud-creepers, invading the silence of the white lands, until it has pierced your soul. 

Image: pencil and pastel on paper, by self, a view of the morning sun in snow clad Budapest, painted on 17.12.2009.

History, Text and Imagination

Walking through stories, walking through tales is like a dream. It is like living multiple lives in this finite life. As I walked into the historic Kronborg castle, the literary castle of  Hamlet, a strange gush of wordless-ness flowed through the mind. It was amazement, not at the stately structure of the palace alone; it was amazement at the fact that, William Shakespeare never visited Denmark and yet, it is through his work that I have visited this castle several times for a character that was and was-not at the same time. A thread of continuity  seemed to tie us: three entities in three different centuries. 

As I walk through the first gate, sound boxes positioned around the gates bring alive the sounds of the past. The sound of the dragging of the chains to lift the wooden spiked gate, the sound of the horses hooves galloping into the castle - transposed me into a fictional space that I had imagined several times while reading Shakespeare's texts. Standing on the grounds of history and of imagination, I was filled with silence and humility.

The history of the human civilisation is long compared to the life of a single individual. Compared to the history of the world, that of the human civilisation is but a spec of dust. Compared to the history of the universe, that of the world is that infinitesimally small era and that of the human kind is but an abstraction of the idea of history and existence. And yet, there was an Amleth, challenged by the royal need to defend the righteousness of the crown; and, there was a Shakespeare, challenged either by the financial need to write plays that are theatre-box-office hits or  by the universal, era-transcending need of mankind to probe deeper into things of being. Shakespeare based his play on the character of Amleth.  The characters of Amleth, Shakespeare and Hamlet are, thus, an amalgamation of facts, figures and fiction. The imagination of the human mind has kept these characters alive, beyond the boundaries of perceived time. As I step out of the castle of literature and history,  I feel a throbbing in my head, and my heart - I love to believe that that is the pulse of continuity in me. It is the potential of the human mind to traverse beyond the cordoned off impossibilities in life

Image: The historic Kronborg castle, the castle of Shakespeare's Hamlet, the Prince of Denmark at Helsingør, Denmark. Photo by self. 2010.

rumbling crumbling concluded : heal

"And die of nothing but a rage to live."

From: "Epistle II: To a Lady: Of the Characters of Women" by Alexander Pope

Innocence in its purity is powerful, only when it is aware of itself. Anger is the weapon of the calm. Silence can be the choice of the weak out of the fear of speech. Silence can be the virtue of the strong who would conserve it and use it for the best purpose defined to the self. Silence can be an awareness of where I invest my anger. Each moment  when energy gets wasted in the form of destructive anger, the possibilities of the moment dies. Conserving anger to direct it at the more powerful 'wrongs' can be a healing process. Anger is like fire. If we can direct the flames in the proper manner, it can create beautiful glassware. It also has the power to ravage and destroy, all for nothing that can be valued.


Does this mean, destruction is a non-natural process? Is it something that should never have been? Funnily, I don't think so. Destruction is as natural as construction. Death is as natural as life. Rage is as natural as love. The question is not to to 'decide' and to 'decree' what should be. The question is what you and I choose to do with all the "combustibles" in our lives.

*******

The previous section of the post was written before the previous post  was published. At first I thought of deleting it , or, adding it as a postscript to this post. But then, the responses of Somdatta and Shiuli, made me think otherwise. 

Somdatta's response is worthy to be noted since it perceives anger as a very personal emotion. I am angry when things pertaining to me are not as I had expected them to be. I am angry when the bed is dirty. I am angry when the dishes are not washed. Ask yourself, and you will find a thousand reasons for being angry. Anger IS a very subjective experience. And that is the reason I decided to shift its approach from the literature of Blake to the literature of common lives. I believe strongly, there is magic in each of us. There is magic around us. But all of that is waiting for the magician to surface. All I wish to share with you is my encounter with magicians like that ... What these magicians do, I wasn't doing when I was writing the first post on rumbling crumbling ... I was objectively talking about it, from the armchair of a thinker. And that the reader in this blogger didn't like ... she had made a choice of 'proactive living' a few posts back ... and all that she was hell bent on doing was mincing words! That is when I stopped writing a moment, took a break from thinking about things in abstract terms and started experiencing the magic ...  and here I share with you some of those ...

Magic of dance...

A beautiful woman, in her middle ages, at the peak of her performative years in dance realises she has cancer. She breaks down. She is afraid. That is the nature of her anger- her fear that she is actually walking towards the end. And then she chooses. She chooses to dance like 'magic'. She believes her dance IS magic ... and here she is  ... not a survivor of cancer ... in her own words ... "a cancer conqueror" ... She is Ananda Shankar Jayant ...

Listen to her story here.

Magic of courage...

As a teenager she was gang-raped by eight men.  From that episode of her life,  she remembers the "anger part of it". She was, is and continues to fight the outrageous dissociation that we attest to survivors of rape victims. She didn't sulk and let that single chapter of her life take over her entire life. she did not end her life in despair. Instead, she fights the odds with that anger that is still oozing out of her ostracised self. She doesn't believe the merit of a woman is her meekness. She believes the merit of her pain is her anger. And she helps directing that anger in all such survivors and yes ... i will say conquerors of societal stigmatisation ... by channelling their anger in performing tasks of heavy physical labour in industries which categorically ward women off by virtue of being women. She is Dr. Sunitha Krishnan.

Listen to her story here.

Magic I touched   

A beauty with a smile. Back at home she was fighting the world for her angel, who is very special. And yet, every time I met her, every day I met her, she was smiling that angelic mesmerising smile. She still does. Her skin shows signs of the waves that lashed out at her. It may have eroded the glow of the skin, but her eyes are still bright and her smile still warm. She is the only magician in this list whom I saw ... who touched my life with a magic spell ... The power of her magic is so strong ... that all who have been touched by her, will know her, when he/she reads this ... Her story we carry in our hearts ... her story is that of life ...

*******

Blake's world of creation is that world of magic, where the magic is not in any pockets of existence. It is everywhere - from the mild green meadows of the lamb to the pitch black forests of the tiger - magic is everywhere, only in the need to be harnessed. When our professors said, the poems 'the Lamb' and 'The Tyger' are about the creator instead of the creation, all that the academic mind saw was the answer to an academic question where one has to take pains to tell how the One who created the lamb can create a tiger. Now, when the degrees are at a distance, the academic shroud is shed. And with unclouded eyes, all that this blogger realises is that. Blake's poems are not about a distant unknowable god. It is about the power that lies in each of us. It is about us -about you and me. Yes, we have the playful innocent child in us. Yes, we have the fierce rage of the superman/the tornado/the tiger. All that we need to do is CHOOSE. We can choose to let that rage run over all that is good in us. We can choose to let that rage consume us in a split second of cosmic time. We can choose to use that rage to nurture all that is playful and creative in us. We can choose to be the magic.

the road's within ...

The choice is essentially ours. I made one today as I write this post. Did you?

Concluded

Image Courtesy: Macwallpapers @ web

rumbling crumbling

Temper flew like a free-spirited Superman. It simply had a mind of its own. Or, so I thought.

My father, till date, has given me a single advice - be patient. For me, however, to be patient was to be silent, and silence seemed to imply weakness. It seemed logical that being patient was to be vulnerable. Patience seemed to mean acceptance, and hence a way of permitting the causes of agitation and disturbances to continue approaching the self. Temper was a shield. A cocoon to save the self from the blows.  

Then, Professordadu (dadu means grandfather, in Bengali) said something about it. He said, if,anger empowers to create something constructive, then it is of use. Or else, it is best to dump it. 

THUD. 

Around the same time, I came across the poetry of William Blake. I got introduced to a strange concoction of poems which used simple language, as if that of children's poetry. That was my first experience with Blake's Songs of Innocence and of Experience.

front cover of that book, hand-painted by Blake @WEB

Blake had created the two sets of poems - The Songs of Innocence and The Songs of Experience - where, each poem in the first book has a mirror poem in the next. For, example, while a poem titled "The Lamb"

was part of the first book; its mirror poem in the second book was titled "The Tyger". The meekness of the lamb and the ferocity of the tiger are instances of the two "contrary states" that Blake wanted to express. In between preparing essays on 'how' the selected poems in the curriculum expressed "the two contrary states of the human soul" (the words are written above the two human figures in the given picture; "shewing" means showing), I was intrigued by the thought: are things truely so mirror-like in life? Does patience really imply weakness? Does being patient means the absence of anger? Do we really have no choice but to be either

The Lamb by William Blake @ WEB

Or,

The Tyger by William Blake @ WEB

  ????????

TO BE CONTD.