New years = Magic?

The new year wishes popping up in the inbox and the social networking sites remind me of a scene from the film The Runaway Bride. The 'runaway bride' of the groom who truly loves her sits in front of him, after quite a time since she ran away from the marriage ceremony on the day of the wedding. She tells him that she loves her and proposes marrriage to him. Further, she guarantees tough times in marriage. She also guarantees that if she didnot ask him to be hers, she will regret it for the rest of her life.
 

The list of resolutions are hung up on the virtual walls already, or, in our internal spaces. That is how it usually is. We promise this and that, to ourselves and to the world. To give up a bad addiction (of chocolates and chips, for me). To get up early from bed. To study way before the exam dates are announced. To relax and destress from tensions in the office. 

The list is endless. At the end of the year, we usally can't remember the promises tht we had made to ourselves 364 days ago. And, so, we make another list of promises.


My list of new year resolutions have consistently been as varied as 'I will be less lazy' to 'I will make new mistakes'. But this year around, my primary new year resolution is, to remember to live each day, one at a time, and, live each moment one at a time. This way, I hope, I would guarantee myself to remember the promises I have made to myself. Guess, that would be magic for sure!

What about YOU?


Here's wishing all the readers of Lustrous Lives a new year filled with possibilities to outshine the you, that was in the previous year, in mind,in body and in spirit. 

Happy new year to you, my co-walkers in this road of life!

Stories from the hiatus 2: What is it that brings on a smile?

May be, champagne overflowing the glasses? I guess not only that can create a happy smile.

Happiness is a heady mixture of the feeling of being in the company of people who celebrate life not only with the molecules of the chemical elements, variously christened as wine, champagne, vodka and their likes. You need someone to spill it from your glass of pleasure. You need the company of people who care to talk to you and to listen to you; the company of people who create the arbitrary molecules of experience that you can call life.

The finest experience of this Christmas eve is a rather natural phenomenon when you have all the eight people strumming guitars and singing. It was the after-dinner song carnival that filled the wooden house with a throbbing vibration of music.

After a long day of preparing for the I-lost-count-of-the-number-of-courses meal spanning a mind boggling 5 hours, the father started humming a song which soon became a full-house chorus! Just when I was thinking now people will gradually doze off on the sofas and the armchairs and on the dining table, there was a fluster of activity across the room. The uncle was busy with a group of possibly-amateur connoisseurs of vodka, the grandma was lazily reclining on the sofa with one of her grandchild and chatting like sixteen-year old friends. the youngest kid was cuddling into the sofa, while the three gorgeous sisters were, by now, singing full-throttle.

It was like being a third person narrator in a novel. I was there, mouthing the only words that I had remembered from the last night's singing ritual at Angelique and Jerome's home :  Jolie bouteille, sacrée bouteille .... And as I observed the magical vibrancy of all the voices in the chorus, I realised they are singing for the joy of it. A simple fact, but wondrous in a strange mundane way!

They have sung these songs many times and yet when they were singing these when the eve of christmas had walked into the day of christmas, waves of joy and peace filled the mind. The songs were not religious alone. They were the songs of life - ranging from the drunkard's plea to his loving bouteille  to help him quit drinking, to the song filled with painful memories of the Jewish concentration camps, to hymns. 

This Christmas dinner, could have forced me into the cliched expression of Christmas being the festival of time spent with family and all that. As I looked at the faces of the mother and the father, who brought up their six kids, not in any other excess but in the excess of life and a strange force of living life up to the potential that each of them have.

The Christmas clause is the potential to walk on. The potential to have the courage to follow your dreams, knowing well that they are not really Columbusque in scope. Our acts in our little lives do not change the worldscape of others. The single day of the Christmas celebrations do not drown our thousand conflicts. What it does is that, it  re-affirms the hope that we can walk together, in spite of our differences. That we can create music and be alive by embracing each moment. The clause of Christmas is possibly the inherent truth of life ... be here, be now. And that will make us smile.

P.S. Though the "Stories from the hiatus" series is concluded with this post, the experiences from this christmas spent with a marvellous family will keep cropping up in various posts for certain. This is a conscious decision of the blogger. The experience of having met these  special people can not solely be confined in a series on a singular event. As I realise it now, it is not only an experience of christmas, it is an experience of life.

Image: song-carnival post christmas eve dinner.

Stories from the hiatus 1

A wooden house. A family of laughter. A father with a penchant for photography. A mother with a womb of artistic creations. Six siblings, playing the guitar, singing songs learnt while camping. The walls filled with the scent of love, inviting hope, relations and creations. Walls of glass rushing in the light of life and love. Amidst this crazy dance of life, christmas presents sit with gaiety on the chairs and on the arms of the sofas ... waiting to be unwrapped, waiting to burst into a new strain of happiness in belonging.

Age is a bluffer's name. The grandmother sings along with the kids from sixteen to twenty-eight. The busyness in the kitchen gets interrupted by the 'kids' hungry for the chocolate, sticking to the spatula after it is spread on the cake. I join in unceremoniously. 

After almost-skating across the lanes to and from the church, the muse of the night starts gleaming. Tinkering glasses with miniatures hand printed by the mother, the decorative plates, the one-eyed Santa and the glittering Christmas tree invite in more life and laughter. The uncle with his first-of-its-kind beard, the adorable aunt, the gregarious cousins trickle in with more of the clause of laughter and joy.   

Images: the christmas home of Angélique's parents ... December 2010.

*******

I had thought I will pen down my thoughts of this Christmas with a parisian family in a single blog post. However, as I sit to write this post, so many impressions rush through the mind that it is becoming increasingly difficult to capture all of that (or at least some of that) in words and pictures. Hence I choose to leave this post with the TO BE CONTD.  mark :) Keep reading to know what happened as the christmas clause took us to another land... 

To be contd.

On busy-ness and time

Busyness, we say is the syndrome of the malady of modern life. There are always more things to do than the hours can accommodate. It almost creates a surreal wish for an additional 12/24 hours (as per the individual needs) or for cloning of the self in many of us. We imagine life would be so much better if there was more 'time' in our hands. What this leads to is a constant sense of incompleteness, a constant feeling that so many thoughts, ideas, desires, possibilities have to die due to lack of what we know as time. The Irishman, James Joyce, talked very candidly about time as we perceive it. If we are 'busy' doing something that we love, or, participating in something that we enjoy, time seems to fly. It seems time has walked its space a little faster when we are doing things that that we are fond of. When I used to attend Bharatnatyam (a classical Indian form of dance) classes, the two and a half hour rigorous routine of practicing dance moves and steps, repeating them incessantly till the gestures are right, seemed like a fleeting evening. At times, I wanted the clock to slow down, so that I can dance a little more. In a similar vein, try doing something that is a pain-in-the-neck. No matter how little clock-time such a thing would require, it would seem like an eternity. For me, it can be anything from making the bed to dusting the furniture. Time can and does (if you will notice) fly or creep, depending upon the involvement of the mind, the body and the soul in the act being performed.

Time leads where we want to go...

Joyce charted out the difference between the clock time and the psychological time exquisitely in a novel titled Ulysses. (If you love reading Joyce, you will sail through the book. If you don't, you may end up making several attempts to read the novel, each with a fresh surge of enthusiasm, for a period spanning from 5 to 15 years.) Without involving ourselves with Joyce's particular novel, let us rest our case on what such different categories of time would mean in our common, down-to-dust lives.

*****

In the previous post, I had confided in you that I was assailed by too many tasks and ideas, thus leading to a serious need for a stopgap post!!!! When we have to undertake several important tasks (each with a red priority tag), the mind takes the easy route of escape. It simulates tiredness and acts as if it is too much burdened. (This almost reminds me of stomach aches I 'had' in order to stay away from school.) The mind tells the body - "Gosh, you are sooooo tired! Why don't you take rest?" The body believes in the mind and thinks, "Yes, I will regain my strength if I rest." And so, the mind and the body, along with a little pricking in the soul, draw the curtains, arrange the pillow and sneak underneath the tugged blanket. Off to sleep. Off to a world away from the real world of red-tag-priorities, until waking brings back the horror of priorities. Continuing to postpone the priorities create Hamlets out of us. To wake or not - that becomes the crux of existence. The only unfortunate thing in this entire episode is, that, the priorities never lessen or die. Every time we shut our eyes, the priorities flash like the headlights of an approaching vehicle. It keeps getting bigger.  

*****

The only way to avoid the evident imminent disaster is to keep awake the whole while. Instead of giving in to the bullying mind, we need to master over it by understanding the way a bully functions. A bully has the might to threaten because the victim has the fear of the bully. If we choose to be unafraid in the face of the bully, traditional wisdom asserts that the bully will crumble. The definition that might constitute the idea of being 'unafraid' is pretty ambiguous. It may appear to mean the absence of fear, while I understand it more as the act of walking through fear. This is because denials doesn't help me usually. When the priorities loom large, in number and/or in complexity, take a break but do not go to sleep! 

The 'psychological time' that flies is the time that we enjoy, that relaxes the mind such that it leaps beyond the continuous hammering by the clock-hands. Create that 'psychological time'. Do something that gives you immense sense of pleasure and peace. As the mind falls into the rhythm of the relaxed psychological time, it calms down and stops its hysterics. Then, you can simply sit with pencil and paper and chalk out a routine that accommodates all the priorities. As the routine is sketched, with each unit of time allotted to a particular priority, the next important gesture is required. 

In each bundle of priority-allotted-task, we need to train the mind to focus. As we focus, we simulate the absorption in an act that we feel during our experience of 'happy' psychological time. And then we conquer the inhibition that clock time injects in us. What we do in the process is simply see the priorities in perspective. They remain priorities that need to be addressed, but shed the aggression  implanted in it by the unbridled clock. At the end of it all, we realize, it is all about perspective.

close up

from a distance

 











Images:
"Time leads where we want to go". Spiral staircase inside Salzburg castle. Salzburg 2010.

"close up". Structure in museum in Vienna. Vienna 2010.
"from a distance". View of Prague from top of a tower. Prague 2010.

            

All images copyright Susmita Paul 2010.

 

rumbling crumbling concluded : heal

"And die of nothing but a rage to live."

From: "Epistle II: To a Lady: Of the Characters of Women" by Alexander Pope

Innocence in its purity is powerful, only when it is aware of itself. Anger is the weapon of the calm. Silence can be the choice of the weak out of the fear of speech. Silence can be the virtue of the strong who would conserve it and use it for the best purpose defined to the self. Silence can be an awareness of where I invest my anger. Each moment  when energy gets wasted in the form of destructive anger, the possibilities of the moment dies. Conserving anger to direct it at the more powerful 'wrongs' can be a healing process. Anger is like fire. If we can direct the flames in the proper manner, it can create beautiful glassware. It also has the power to ravage and destroy, all for nothing that can be valued.


Does this mean, destruction is a non-natural process? Is it something that should never have been? Funnily, I don't think so. Destruction is as natural as construction. Death is as natural as life. Rage is as natural as love. The question is not to to 'decide' and to 'decree' what should be. The question is what you and I choose to do with all the "combustibles" in our lives.

*******

The previous section of the post was written before the previous post  was published. At first I thought of deleting it , or, adding it as a postscript to this post. But then, the responses of Somdatta and Shiuli, made me think otherwise. 

Somdatta's response is worthy to be noted since it perceives anger as a very personal emotion. I am angry when things pertaining to me are not as I had expected them to be. I am angry when the bed is dirty. I am angry when the dishes are not washed. Ask yourself, and you will find a thousand reasons for being angry. Anger IS a very subjective experience. And that is the reason I decided to shift its approach from the literature of Blake to the literature of common lives. I believe strongly, there is magic in each of us. There is magic around us. But all of that is waiting for the magician to surface. All I wish to share with you is my encounter with magicians like that ... What these magicians do, I wasn't doing when I was writing the first post on rumbling crumbling ... I was objectively talking about it, from the armchair of a thinker. And that the reader in this blogger didn't like ... she had made a choice of 'proactive living' a few posts back ... and all that she was hell bent on doing was mincing words! That is when I stopped writing a moment, took a break from thinking about things in abstract terms and started experiencing the magic ...  and here I share with you some of those ...

Magic of dance...

A beautiful woman, in her middle ages, at the peak of her performative years in dance realises she has cancer. She breaks down. She is afraid. That is the nature of her anger- her fear that she is actually walking towards the end. And then she chooses. She chooses to dance like 'magic'. She believes her dance IS magic ... and here she is  ... not a survivor of cancer ... in her own words ... "a cancer conqueror" ... She is Ananda Shankar Jayant ...

Listen to her story here.

Magic of courage...

As a teenager she was gang-raped by eight men.  From that episode of her life,  she remembers the "anger part of it". She was, is and continues to fight the outrageous dissociation that we attest to survivors of rape victims. She didn't sulk and let that single chapter of her life take over her entire life. she did not end her life in despair. Instead, she fights the odds with that anger that is still oozing out of her ostracised self. She doesn't believe the merit of a woman is her meekness. She believes the merit of her pain is her anger. And she helps directing that anger in all such survivors and yes ... i will say conquerors of societal stigmatisation ... by channelling their anger in performing tasks of heavy physical labour in industries which categorically ward women off by virtue of being women. She is Dr. Sunitha Krishnan.

Listen to her story here.

Magic I touched   

A beauty with a smile. Back at home she was fighting the world for her angel, who is very special. And yet, every time I met her, every day I met her, she was smiling that angelic mesmerising smile. She still does. Her skin shows signs of the waves that lashed out at her. It may have eroded the glow of the skin, but her eyes are still bright and her smile still warm. She is the only magician in this list whom I saw ... who touched my life with a magic spell ... The power of her magic is so strong ... that all who have been touched by her, will know her, when he/she reads this ... Her story we carry in our hearts ... her story is that of life ...

*******

Blake's world of creation is that world of magic, where the magic is not in any pockets of existence. It is everywhere - from the mild green meadows of the lamb to the pitch black forests of the tiger - magic is everywhere, only in the need to be harnessed. When our professors said, the poems 'the Lamb' and 'The Tyger' are about the creator instead of the creation, all that the academic mind saw was the answer to an academic question where one has to take pains to tell how the One who created the lamb can create a tiger. Now, when the degrees are at a distance, the academic shroud is shed. And with unclouded eyes, all that this blogger realises is that. Blake's poems are not about a distant unknowable god. It is about the power that lies in each of us. It is about us -about you and me. Yes, we have the playful innocent child in us. Yes, we have the fierce rage of the superman/the tornado/the tiger. All that we need to do is CHOOSE. We can choose to let that rage run over all that is good in us. We can choose to let that rage consume us in a split second of cosmic time. We can choose to use that rage to nurture all that is playful and creative in us. We can choose to be the magic.

the road's within ...

The choice is essentially ours. I made one today as I write this post. Did you?

Concluded

Image Courtesy: Macwallpapers @ web

Puja Chronicles: Actual/Virtual

No one spelled it out. And yet, it was there. Like a star. 

I always thought I had a non-scientific mind. When I looked up at the clouds, I could never recognise whether they were cumulus or stratus. I saw images. Of elephants, of Archaeopteryx (I loved to figure this out specially), of flying castles, of Santa Claus's face. I believed I was prone to imagination than rational thinking. Then, a few years into high school, and Physics introduced me to the world of constellations. Individual stars being a part of an image in the sky. I was baffled to know, science needs imagination. 

That was the beginning (I guess) of questioning what seems to be 'real'. The absolute versions held ground for a long time since then, but the foundation of the idea of the 'absolute' had started eroding. 

*****

Far away in the distance, there used to be a ball of gas. It started 'living' - burning itself up in order to radiate light/energy/life. It performed the balancing act of gravity and expansion. And then it had to die. It became a 'dwarf' or an eternity called 'black hole'.

Life cycle of a star

*****

Is the star there as I see it now?

I can see it twinkling! It is actual, I guess. But, it may have died and its light is still crossing the seas of the universe to reach me. Does that make it virtual?

*****

Feeling homesick on a day when celebrations of a mother goddess fill my mother's house with laughter and joy. Before the deity leaves the threshold of the home, I skype home. I dress up as a traditional Bengali married woman - complete with sari, the jewellery, the vermillion on the forehead. I have arranged a candle, the vermillion (sindoor, the mark of marriage), a flower, an Arab sweet, a small glass filled with water on a dish. The camera looks into the face of the deity. From across the oceans, I hold the platter in my hands and perform an action that every married woman does at the end of the festival for any Hindu goddess. I boron (a ceremony performed to cordially welcome) the deity. 

 
boron

[It is strange that the festival begins and ends with the same custom of boron. Even when the deity is taken away for the immersion in water, marking the end of the festival, it is wished a good journey and an invitation to return in the next cycle of time.]     

What I did was in real time but not in real space. Does that make it any more virtual or any less actual? 

I do not know. The conventions of understanding the time and the space are somehow soiled by the sense of happiness I had at the end of the act. I felt  as if I participated actively in the joy that exuded in the household for the past few days. I felt the warmth of having a family filling me in this chilly land. That is the perspective I choose.

Images: 

"Life cycle of a star" from "Nebulas" in E.Encyclopedia Science on Fact Monster. Web.

"boron" : Image boron performed by my mother. The deity is that of the Mother Goddess Jagadhatri.  © Susmita Paul 2010.

A view ...

The worlds separated by the glass worlds melt in this room.

The lean wooden cupboards stand tall, the soft lights in the apartments across the pathway remain unmoved on it. The yellow light, at the entrance of the building opposite to the room, makes the presence of the 'de-leaved' trees felt.Looking a little observantly will actually reveal the last leaf on that branch, still waiting for the wind that will blow it to dust.

Nonetheless, the lamp in the room glows brightly. And, a few notches above, behind the thin film of darkness, caused by the rain-clouds, is a hemisphere of a moon. Little black patches of night imprinted on it, and a fluorescent white light- the light of the burning zeal of the sun, that some call 'life'.

A few miles beyond the glass, a soul is sick of the elements. On the other side of the glass, a strange unnerving sensation creeps up the spine of the phantom of solitude. A few nights beyond this night, the phantom and its soul sunbathe in sunshine-islands.

The lean wooden cupboards stand lean, soft lights smoothen the edges of the lanky towers. The yellow light, hanging at the entrance causes nausea to the insects and humans alike. A few notches beyond the light, across the luxuriating waters, a glowing ball of light fires up the sky. Streaks of colours spread across the sky as an inattentive hairdresser would spread the streaks on your hair. It is strangely nauseating - the colours. 

Some may call that 'life'.

colours of water

Image @ Self, 2010

Puja Chronicles:A memory

On the eve of the festival of lights or Deepabali/Diwali (deep/dia=an oil lamp), 14 earthen lamps are placed on a round tray. We sit and talk about all the trivialities as we make the cotton wicks (solte) by rolling the cotton between our hands. With the wicks ready in the lamps, we vie for the opportunity to pour oil into the lamps. And then we light them. one by one, as the oil-soaked-wick starts being consumed and starts emanating light, I always remember a Tagore song Ei korechho bhalo... where occurs the expression:

Aamar e dhup na porale, gondho kichui nahi dhale 

amar e deep na jalale dei na kichhui alo ...

If I do not burn my incense stick, it doesn't spread its scent 

if I do not kindle my lamp, no light is emanated ....

To be contd.

Image courtesy: yummy4tummy.wordpress.com

Sound and Noise

Each thought is a vibration. When there are too many vibrations, only a maestro can create a harmony out of it. For apprentices, it becomes noise. The apprentice aspires for the harmony of the 'sound'. But the transformation of the noise into sound needs experience, meditation and wisdom. That is the path that the apprentice journeys ... not for the celebration of being a maestro, but for the celebration of that 'sound' which was 'noise' before...

Image courtesy: the web , where noise and sound cohabit .

Puja Chronicles : To continue or not ...

Now that the festival is over, it seems appropriate to conclude the series 'Puja Chronicles'. That time has passed.But does any time really 'end' ?

The smell of the slightly chilly morning wind, that of the incense sticks; the sounds of the dhak and the repeated-forever selection of songs in the para (neigbourhood) pandal (the structure which houses the deities for the festival); the illegible mantras (Sanskrit slokas used in the process of praying to the deity) of the mumbling priests; the sight of the strangely blue sky of shorot (a month in the Bengali calendar in which the Durga Puja takes place) - do they not leave behind traces of life in our beings? A friend and a reader of this creative blabbering, Supratikda, commented on a previous post, asking whether the pain of an ending can be mellowed by the resurgent nature of hope. That made me think. Do we really want to mellow down an experience that is rich and trying? I, for one, wouldn't want to do so. But yes, hope is the elixir of life. It does not only signify the possibility of a better tomorrow, but, to this hopelessly optimist soul, it also keeps alive, and burning, the possibility of miracles. Or, to use a more candid expression - the possibility of the absolutely unexpected awesome happenings. This brings us to another bend in the road of thought. What defines and measures the awesomeness of a happening? Well, I am sorry to confide that I can not help in your understanding of the element of 'awesomeness' in a concrete manner. But I can, and will, share with you my experiences of the 'awesomeness' of life which happened in strange corners of the busy-dom in which we live.

P.S. I choose to continue the series 'Puja Chronicles' not because they have some connection to the event of the puja itself (well, it may, at times), but because life is possibly the greatest puja (prayer) that any being can perform. 'Puja Chronicles' henceforth will celebrate life with its resplendent awesomeness.         

resplendent in its awesomeness

Image: An Evening Sky in Lund, Sweden.

           © 2010 Susmita Paul

Puja Chronicles contd. A Bisarjan on Dashami

Pre-script - definition of Bisarjan according to Samsad Bengali-English dictionary is "immersion of the image of a deity"

 

Every year the idol is carried down the broken stairs with inappropriately dazzling neon lights pouncing down them. There is a crowd of faces that can't decide whether they should express the grief at the end of the carnival or the chilling fear of losing someone. The idol of the mother goddess in the avatar of Jagaddhatri ,meaning the One who bears the world (a festival similar to Durga Puja, most grandiosely celebrated in  Chandannagore, a town near Kolkata) has been the centre of all the joy and laughter for the past few days. She is the reason we got to meet our friends and family, whom we haven't met for over a year. The end of the festivities means an empty dalan (a broad space within the house), with a singular lamp lighted in front of the empty dais on which the idol was placed. The end of festivities means a strange emptiness amidst the pedestrian duties in the household. The end of festivities means the chilling knowledge that the one who will be holding the idol from behind, just before the idol is given bhasan (immersion of the idol in a water body),  is most dangerously placed.

*****

The idols are usually given bhasan with their faces looking skywards. They are not slumped into the water face down. The individual standing behind the idol can't be seen by the other fellow bearers of the idol. There is a dangerous possibility that the idol will fall on him, resulting in his drowning.

*****

The laughter of the last few days, or, even of the last few moments - when everyone was travelling in a hood-less vehicle with the idol from home to the ghats (stairway leading to the river), sounds of the voices singing and of the conch-shells, interspersed with the occasional frenzied cries of "Aschhe bochor abar hobe!" (We will have this fun again in the next year!) - now transforms into panic-stricken shouts rising above the beats of the dhak (a drum-like instrument used during the pujas in India). They are cautioning the individuals carrying the idol - 'Watch out that step! It's broken!' ; 'Don't stand behind the idol directly!'; 'Be careful!' All such panicky cries would be subsided by a few calm voices. One of them was his. 'Don't worry, I am there.'

*****

Dashami is the last day of celebration held in honour of any of the deities in Hindu mythology. The immersion of the deity is accompanied by the distribution and exchange of sweets. Why would one think of celebrating the end of a festival? Why would one have sweets after immersing the deity into the oblivion of the water world? Possibly because the act of bhasan means the continuing cycle of creation, procreation and destruction. Like the trinity espoused by hindu myths - Brahma (the Creator god),  Vishnu (the Protector god) and Maheshwar or Shiva (the Destroyer god). The bisarjan (i would translate this not merely as immersion, but as 'bidding adieu') is also a part of the festival; just as death is a part of life. Whether we want it or not, humans will be born and they will die. All that remains is the essence of the life that an individual leaves behind. 

*****

Dashami of the Debipokkho had always been a little saddening. It meant the end of no-studies schedules while I was a student. It meant that all the gorgeous dresses will now be packed away. It meant that all the freedom of living off the street food is lost. It meant the end of incessant parties and doing nothing all day long. This year too, Dashami has saddened my heart and my soul. The voice that said 'Don't worry' has received bisarjan from all its worldly noise. Long after his song has ceased, souls like mine, which heard and saw him weave those brilliant patterns in life, will echo his songs. Who he is you may not know. But what he is,  you will fathom if you think about an individual who inspires you, whom you love, who makes you smile and who encourages creation in any form. Imagine an artist you love. You will know. Imagine an individual you love. And you will know. 

RIP C_K_.

Image Courtesy © Subhaneil Chakrabarty

     

watching autumn

the more the leaf grows from being a benign green to an aged green, ... to a dusky green ... to either a faded orange or a crisp brown ... the tree knows for sure its head is in the sky... it watches, wonderstruck... the infinite permutations and combinations of the infinite things that inhabit in this chasm of eternity continue unperturbed... eternity is a baffling word ... a word that is as impractical as the desire to grasp the moment and its bliss ... does the tree understand the sky with its implausibility ? ... we can not know since its mind is the matter of the wind... it feels the wind as it blows through its leaves ... creates a rustle ... flutters the birds nested in its branches ... and passes... and then, another wave of wind comes ... or may be a moment of stillness... as the leaves whisper the tale of the wind that passed .. as its branches bloom and the little pods burst into flowers ... in that infinitesimally small moment, the tree realizes it's roots are deeply dug into the heart of it's womb ...

Image : in Lund, Sweden



Survival kit



There's a point in life when you cry when your toe is hurt because it hits the pebble. There's also a point in life when you cry because a pebble hits your toe. You forget when your toe hit the pebble, but you never forget the pebble which hit your toe. Why do you think  forgetting functions in such a strange discriminatory way?Why doesn't the mind forget all the hurts and all the burns like a flash flood that leaves no trace of itself except  a vacant land? You will say, the vacant land becomes the memory of the flash flood and hence it is impossible to forget it. You are right. The flash floods leave behind a vacant land, where once there was life and laughter, poverty and pain. And yet, do you think, those who survive such flash floods will die with remembrance of things past? Survival is like betel leaves. No matter how much you wished to secretively have them, the inadvertent red colour hang onto your lips and tongue.

You can not wash off life. But you can wash off despair. You can wash off the pains of being hurt by a flood of forgetting,not by denial, but by acceptance. You need not forget that the pebble hit the toe. Just shrug off the grudge. Because, that is not the last pebble that will hit your toe if you continue walking.

Original image from Scout Notebook-2001 http://www.ukonline.net/scoutnotes/

Modified by self

The last and lasting glance

Across the strange borders, 

I see myself blooming:

in forgotten pathways,

in manicured gardens,

in bonsai artefacts,

in frozen mummies.

My eye sees the horizon...

a few dotted lines

-lines in pink, blue and green-

cast the slippery wet norms.

The me in the mirror is refracted.

They tell me, it's you.

I spread my hands

and follow my master,

floating in the air,

above the anomalies of the self:

as I float by your universe,

memoirs of the road

sting my feet

...

I was so sure

I touched me in you

photograph: Himalayas, Uttarakhand, India; self

When the pebbles taught the soul ... Noori Ganga's Philosophy

 Ganga descending from the heavens

The cool breeze is blowing across Har-ki-Pauri. The ghat (the river side area) is lit with a thousand twinkling flames that are flowing across the Ganga. Prayers for plentitude, for health, for peace sail in those little boats of fire. Looking out to the busy riverbanks in Haridwar, one will notice the bustling devotees eager to wash off their bad karma in the Ganga. They stand in a singularly identifiable posture-hands folded at the chest, eyes closed and the lips making arbitrary movements. It makes one wonder, whether, organically, the river is more polluted by all the sins that it washes off from the soul, or, by the filth that it washes out from the bodies of the modern metropolis. There is however little time to ponder on this philosophic proposition since the water of Ganga has started receding. We watch in amazement as the flowing vital river gradually reduces to a trickle, till its bed is visible. It is not the wrath of the Gods that has taken away the mythical bestowal of the Ganges from the earthlings. It is but a temporary situation caused by the technical functioning of a dam, a human endeavour with machines. That however does not take away the charm of philosophising about it!

The penitent figures gradually get replaced by several kids and teens, running along the river bed, waiting cautiously for the water to recede completely. They are the paisa collectors. The five rupee coin that you had thrown in the Ganga this morning, wishing for a raise in your salary, is now his. They fight fiercely over the territory each will cover. From the bed of the river, that once flowed down the jata (patted hair) of Lord Shiva, now provides them with 'survival' money. As the evening light recedes and the land of the lords fall asleep, these busy hands continue to search the pebbles and their glistening corners for a coin or two. 

The evening, that saw the drying of the river to the white-and-light-brown-stained pebbles and rocks, melted into the morning light. The morning brought with it the scorching sun and the curious onlookers. What now lies before me is the route that the melted waters of the Gomukh glaciers had chosen a couple of thousand years ago, maybe. 

As I set foot on the pebbles and the rocks that usually lie uneventfully at the belly of this ancient river, I feel tremors of myths and histories rumbling under my feet. Several artefacts are strewn across the river bed. Who knows to which age this statue of Nandi (the companion of Lord Shiva) dates back to? Who knows what god or goddess was this four-legged deity in some lost temple of the yesteryears? Which was the era in which Ganga changed her course, making those houses of the gods vulnerable to temporality? All these redundant questions clatter in the mind as I walk across the  noori Ganga (pebbled Ganga). Murmuring winds blew across the expanse. They echo voices from the past...telling tales of grandeur withered by time ... from the present ... the curious tourists randomly picking artefacts strewn  across the bed ... from the future ... the rambling waters that will flow again in this course and will wither more eras and their cravings to transcend time.

People call Haridwar the seat of Hindu pilgrimage. To me, on this very day, when Ganga dried, I realised in this bustling city of religion, a law of life in its resplendent purity. What we may be in the times to come are but  hypothetical ideas. What is, in this moment; what I am , in this moment is true to my being. There is no before or an after. It is all in the NOW.

meditations while cooking ...

“Cooking is like making love, you do it well, or you do not do it at all”

- Harriet van Horne (1920-1998)

I was anything but a cook when I entered a kitchen for the first time. It was in high school and we were attending our first practical class for Nutrition. To me, the kitchen appeared to be as awe-inspiring as a Disney store would to a kid. Soon the awe gave way to embarrassment as I was paired with a fellow classmate who was excited to cook poha (an Indian snack). I mustered enough courage to mumble about my ignorance. But that wasn't of much help either. She put a potato in my left hand and a peeler in my right hand and asked me to peel the potato, assuming, that I could at least perform this elementary task. I sat on a stool which swung occasionally because one of its legs was shorter than the other three. With an exasperated sigh I prepared for the ultimate humiliation. I needed to tell her that I didn't know how to peel potatoes. I refrain from providing details to what happened next. But, the point of contention is this that the same individual, who couldn't peel a potato, can now cook excellent chicken tikka masala. I am amazed at the way I have evolved. This introspective rambling is on that process of evolution ;)

Cooking was an ordeal to me. It was akin to being thrust into the gas chamber. After I had had a few ( or many, to be correct) expressive days of disgust, my husband, who is incidentally a good cook, referred to a movie where the chef, while cooking, had the same expression as an individual reaching orgasm. I was disgusted by the association of such outrageously disparate ideas. After that several days passed without any reference to such creative links. And then, it happened.

It was just another day when I was cooking while he was away at the university. I remember I was cooking an Indian curry with eggs. I heated the oil in the pan and sprinkled cumin seeds in it. I had cooked the same dish numerous times before, but the spluttering of the cumin seeds had never arrested my attention. I looked on as the seeds were at first gathered in a cluster, then started spluttering and breaking away from the cluster. Uncalculatingly a smile spread across my face. I was interested what the next ingredients would do when they enter the domain of the hot oil. From inanimate spices, each ingredient suddenly gained an individual dimension. The dried red chillies which turned black in the hot oil reminded me of the myth why the monkey has a burnt face (well, that's another story altogether). The tomatoes became lascivious ladies and the glazed onions were the chivalrous men. As each ingredient changed its colour, I had a heightened olfactory perception. The fact that the cooking was progressing was evident from the smell. I had been cooking daily for the past one year, but I had never experienced anything like this before.

Since then cooking has become my creative zone. It is sometimes like a musical presentation where the order in which the ingredients enter the creative cauldron is as important as their optimum quantities for the best performance. As I now observe the changing colours of the curry that I cook, I feel that I am present in a fluid state where the various colours flow continually onto a canvas. You may as well categorize me as delusional, but before you do that, pause for a moment and think. Did you ever pause to see the changing colour of the leaves- from the sap green vibrance of summer to the autumnal orange? Or, have you ever looked up at the sky and seen the crazy shapes that the clouds form? I did something in the same vein.

That day I had learnt to pause and tap the various stimuli that are organically active in every moment. We rarely perceive them. We are always multitasking in order to capitalise time to its maximum possibility. Though hundreds of Bollywood movies are released every year, nobody learns anything from them. Had they, they would have learnt by now the impossibility to grasp time as it is to grasp sand. The more you tighten your clutch, the more it escapes. However, this article is not meant to be a Baconian piece either telling you how to cook egg curry or how to watch Bollywood movies. It's my way of pausing and allowing the mind to rattle on. Simple.